招摇着蓬勃的中二气息配方上大杂烩:一点点赛博朋克(Neo Tokyo 的未来都市景观)一点点弗兰肯斯坦(科学怪人)一点点克苏鲁(AKIRA 形态上接近于克苏鲁神话里的海底怪兽又担负着一个邪教神与图腾的功能)一点点反乌托邦性感最后讲了一个类似于《小学生学习作文600字》的故事又暗喻着对核能造成的世界毁灭的恐惧暴走族的机车少年是救世主几个身负异能的科学小人儿诡异得好似《GOGOGO日本免费观看电视》总体来说画风丑爆了音效简陋到几乎没有环境声若不是为了那个“东京奥运会距离开幕147天因新冠全面爆发而休会”的预言我没有办法将这个味如嚼蜡的片子撑完整场看在是1988年三星
The Wire has transcended the tropes of police drama and looks at the human conditions, the human ecology of certain social groups who are often neglected, forgotten or even rejected by the mainstream of a society. It puts you right into their community and show you both the pretty and ugly sides, both the virtues and vices without flinching, thus avoiding depicting them from an outsider's perspective. In other words, The Wire manages to represent these groups without giving them a sense of otherness, and that is something truly admirable.