像1900一样差像1900一样一度围死了我这片从内容到形式都没节制excessively讲了一个关于excess的故事淫而不乐哀而伤恨死混剪结尾屏幕当迪厅彩灯用功能就是把光打到观众身上强迫我们返身意识存在纯粹肉性的奇观比Maguire地下道最后一间房好到哪去吗不过想想站在起点的梅里爱总有一天我们所爱之物他们会拿来取笑和猎奇雨中曲将被再parodize那么多次阿凡达也有竟时起床再读昨晚写的觉得真特么多愁善感不删了 the impulse passed; but won't we all. 你们这些短寿的东西
the world is full of beauty , and it's up to you to capture it , to look ,and share it with as many people as you can . You are a prism , through which that beam of life refracts . 这部片是英国插画家Louis Wain的个人传记他的兔唇、家里顶梁柱、妄想症、爱妻爱猫他把病痛和身上满腔的electricity转换成艺术创作两手同时画猫在他之前猫被看作邪恶的化身不受待见他之后人们才“看见”猫的可爱家里其他女儿们就在啃噬他一个男人吗本尼演的真好最后彩蛋展示了Louis的作品