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不过正是因为修了闹鬼金矿这个技能晨光现在的部队中才会多出来二十来个免费的幽灵这些幽灵用来充当炮灰还是挺不错的运气好的话在战场上连续激发三次无实体状态那就彻底帅呆酷毙物超所值...这次返回希望之城一来是继续补精灵和海族兵二来就是去接收批摆脱大德鲁伊阁下所购买的、适合转职成海盗的水手了当然和刚刚清剿完毕整个台湾岛的丽娜莉和大德鲁伊开个碰头会也是理所当然... 详情
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🔒大家平安
10#至此看完了基耶斯洛夫斯基的全部影片心生万千感慨大师的作品永远这么惊艳 一直以悲观主义为风格的基氏在最后一部电影中却展现了人性中博爱的曙光妈妈的朋友6是三部曲的一个完美总结也是之前所有作品的总结 1.女主与老律师的相互救赎一个重拾希望一个获得理性；2.年轻律师与老律师的同构生活的痛苦就在我们身边而且一直会延续下去；3.“机遇之歌”式宿命论最后三色主角的得救两个律师相同的命运错误的天气预报因为小事没有接（通）爱人的电话保释的有罪之人却生活幸福；4.红色的运用危险博爱宿命；5.一些其他意象比如狗是情感主题上的推动者看见老太太放瓶子的无为或帮助是对人性的乐观或悲观；6.镜头运用十分丰富各种构图和运动充满个人风格 伊莲娜雅各布太美了有时间写一篇三部曲的长评
钟子期
Your typical nice looking, "heart warming" A24 flick...unrealistically precocious kid paired with confused middle-aged man and through turbulence and conflicts they gradually learn from each other and cherish the experience forever --- I have seen this one many times before. The "it's okay to yell, and then yelling out loud" scene in particular is soooo much of a cliche. Cinematography is alright but not really impressive, watching this back to back with Red Rocket the difference is so obvious (ok B&W is at disadvantage but still).The interview bits aren't integrated organically into the story, and it feels like the feel-good, "heartfelt" material got mixed in just for audience appeal.
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